内容摘要：coming Friday, in which a reunion between college friends turns into a nightmare with the arrival of a suitcase and a strange game. Jourdain Searles, in her IndieWire review, wrote, “It’s a loud, colorful, frantic, and pitch-black horror comedy about identity that mercilessly critiques modern anxiety about desirability and success. Scary!”

coming Friday, in which a reunion between college friends turns into a nightmare with the arrival of a suitcase and a strange game. Jourdain Searles, in her IndieWire review, wrote, “It’s a loud, colorful, frantic, and pitch-black horror comedy about identity that mercilessly critiques modern anxiety about desirability and success. Scary!”

only happened last year. This is not the meditation on time that John Crowley was going for with his romantic dramaabout new love, family, cancer and ambition, but with subjects as heavy as those it’s also OK to have a bit of fun with it. The movie makes its Max debut on Friday, Feb. 7. I found myself mostly dry-eyed

hung up on some of the more unbelievable story points, writing “The main reason to see ‘We Live In Time’ is not the promise of crying or the realities of having a young kid, though, but the quietly affecting performances from Pugh and Garfield… It is charming and silly and sometimes cringey — other people’s relationships always are.”— Pharrell Williams’ life story is told using Lego in Morgan Neville’s unconventional documentary “Piece by Piece,” which begins streaming on Peacock on Friday, Feb. 7. In his review for the Associated Press,“is a bright, clever song-filled biopic that pretends it’s a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it’s a bit of both.”

— Six decades ago, thereleased “A Love Supreme,” a revelatory work of modal and spiritual jazz largely considered to be Coltrane’s greatest collection and certainly his most popular. On Friday, Feb. 7, listeners can re-experience the album with “A Love Supreme: 60th Anniversary Edition,” out via Impulse! Records. And if streaming isn’t enough — they’re released a limited-edition vinyl version, too.

— The Dominican singer-songwriter Natti Natasha is tomorrow’s talent today, effortlessly marrying reggaeton, bachata and pop. That’s evidenced by her forthcoming project produced by

“Natti Natasha en Amargue.” “Tu Loca” is modern Música tropicale balladry; the slow and sexy “Quiéreme Menos” deserves a place on your playlist — she even performed that one live at the Macy’s Thanksgiving Day parade last year. If it is great enough for the most delicious holiday, it is great enough for all.“It owes me nothing,” he added, “so every time we come back, there’s always a smile on my face to have another opportunity.”

for O’Ward, whose team appeared to find some speed in race trim during practice Thursday but then encountered a problem Friday, when cars received the 100-horsepower boost they will use for qualifying.Instead of getting on the track early, Arrow McLaren was wheeling the No. 5 car back to Gasoline Alley.

“There was something the engineers didn’t like in the rear of the car,” O’Ward explained as he walked back to the garage. “You want to make sure everything is where it’s supposed to be, so you don’t regret not going back to check it.”Earlier in the day, O’Ward unveiled